Whitney Biennial, Can You Hear Us?
Weekly Newsletter
Fascism is upon us, but a major US art show seems none the wiser. Also, how to make a protest sign, remembering Pat Steir, and more.
I hope you’re reading this while waiting for the sparkly glue to dry on your DIY protest sign for today’s No Kings marches. Check out Steven Weinberg’s fantastic comic this week for tips from artists and writers on how to make a great one. Reuse your “I Prefer My ICE Crushed” banner at less mainstream local actions to keep the pressure going.
This leads us to a weightier question looming over art and activism right now: “Where does socially engaged art fit into a world progressively hostile to independent thought?” That inquiry prompted Ed Woodham, a fixture of NYC’s experimental scene and founder of Art in Odd Places, to explore the pernicious ways in which the frameworks of social justice are being subsumed by profit-making entities. Below, read about Woodham’s workshop at the School of Visual Arts, where students learn not just how to identify this predatory pattern, but also how to “slip quietly through systems of oversight.”
This year’s Whitney Biennial, meanwhile, seems far away from protests, subversion, or other strategies of speaking truth to power, according to Hyperallergic‘s Editor-in-Chief Hakim Bishara. I’ll leave you with the first line of his review: “Say you just landed from Mars and walked straight into the 2026 Whitney Biennial. Would you be able to tell from the show that the country is teetering on the precipice of fascism?”
—Valentina Di Liscia, senior editor
Jordan Strafer, TALK SHOW (2026) (photo Hakim Bishara/Hyperallergic)
The Whitney Biennial Is for the Faint-Hearted
I got the sense that this biennial is hiding from the world today instead of reflecting on it. | Hakim Bishara
Ed Woodham, The Keepers – Penn Station (2024) (photo Paul Takeuchi)
Social Malpractice in the Age of Cultural Compliance
What happens when the language of social practice becomes a tool of the very systems it once hoped to challenge? | Ed Woodham
In Conversation: Will Wilson
In partnership with Art Bridges, the Visual Arts Center of New Jersey presents works by Will Wilson alongside historic photographs by Edward Sheriff Curtis. On view through August 23.
Learn more
News
Pat Steir photographed by Eric Boman, 1990 (© Eric Boman Archive)
From Our Critics
Tracey Emin’s Cult of the Self
The YBA artist spearheaded contemporary art’s trend of coupling extreme self-introspection with relentless self-promotion. | Olivia McEwan
Frida-Mania Hits MoMA
A collaboration with the Metropolitan Opera’s costume designer, this exhibition is an irresistible marketing opportunity at best. | Néstor David Pastor López
Beacons in a Grim World
In concurrent exhibitions by Kevin McNamee-Tweed and Tajh Rust, we find two artists who keep looking and discovering, despite dark circumstances. | John Yau
Art Books
Joel Meyerowitz’s photograph of Giorgio Morandi’s preserved studio in Bologna (©Joel Meyerowitz, courtesy Damiani Books)
Joel Meyerowitz on Photographing Giorgio Morandi’s Studio
“He was assembling a force field of geometric objects,” said Meyerowitz, whose book of images exploring the painter’s famous still lifes is being rereleased this spring. | Greta Rainbow
Before the “Global South,” Indian Modernists Dreamed of Solidarity
Historian Atreyee Gupta unravels the threads of catchall terms like “Global South” to trace the connections between Indian painters and anticolonial figures like Frantz Fanon. | Nageen Shaikh
Frank O’Hara’s Curatorial Eye
Though best remembered for his poetry, O’Hara championed artists like Helen Frankenthaler and organized several shows at the Museum of Modern Art during the Cold War. | Nathan Gelgud
More to Read
Thaddeus Mosley in 1957. (courtesy Karma and the estate of Thaddeus Mosley)
Why I Wanted to Meet Thaddeus Mosley
His work had everything to do with what it means to be an artist and member of a community. He was a model for us. | John Yau
Is There an Ethical Path for AI Art?
There is a destabilizing, dreamlike sense of awe in encountering something without knowing the answer to sanity’s most fundamental question: “Is this real?”
Gabrielle Goliath (© Anthea Pokroy)
Art Movements: A Canceled Biennale Show Finds a New Home
Gabrielle Goliath’s performance series, axed by South Africa for its Venice pavilion, will shine on, pro-wrestling meets contemporary art, a new hire for New York’s forthcoming Hip Hop Museum, and more art world news.
Remembering Calvin Tomkins, Rhoda Roberts, and Agosto Machado
This week, we honor a celebrated art writer, a champion of First Nations culture, a downtown NYC performance artist and activist, and others.
Required Reading
What art conservators and novelists have in common, Toni Morrison and canonization, celebrating Eid in Gaza, the Lindy West drama, “girl games,” and more from around the internet.
Comics
How to Make a No Kings Protest Sign
We asked artists, writers, and curators for practical tips on crafting a powerful protest sign. | Steven Weinberg
🔗 Source: Original Source
📅 Published on: 2026-03-28 12:00:00
🖋️ Author: Hyperallergic – An expert in architectural innovation and design trends.
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Note: This article was reviewed and edited by the archot editorial team to ensure accuracy and quality.
